Bozeman, Montana punk band Prints return with the Urine Alarm Clock EP, a short but varied release that shows a band comfortable shifting shape within just three songs. It’s a compact record, but one that covers more ground than its runtime suggests.
The EP opens with the title track “Urine Alarm Clock,” which leans toward the melodic side of the band’s sound. The pace is measured, the guitars carry a strong hook, and the song builds gradually rather than exploding right away. It sets a catchy tone that feels thoughtful without losing its punk backbone.
From there, the energy starts to tighten. The second track “Do you have any tinfoil I could chew on” pushes harder, bringing in more aggression and urgency while keeping melody intact. The shift feels intentional, as if the EP is slowly winding itself up.
By the time it reaches “Epstein,” the release hits its most confrontational point. Faster, louder, and more abrasive, the track strips things back to raw punk drive, closing the EP on its strongest and most intense note.
What makes Urine Alarm Clock work is contrast. Each song stands apart stylistically, yet the progression feels natural rather than scattered. The EP moves from melodic to aggressive without losing cohesion.
Adding to the release’s weight is the presence of Dave Mello, legendary drummer of Operation Ivy, who now sits behind the kit. His playing brings a sense of control and groove that anchors the band, especially as the songs grow heavier. The influence isn’t flashy, but it’s felt in the tightness and pacing throughout.
Production stays raw and straightforward, keeping the focus on the performances rather than studio tricks. It sounds like a band playing together, capturing energy instead of polishing it away.
Urine Alarm Clock doesn’t aim to make a grand statement. It’s a small EP with personality, range, and momentum. Three tracks, three different moods, and a clear sense of direction moving forward.
